Directly from Turin The Sweet Life Society returns to Ripe with their new album “MANIFESTO!”. The album is “social-conscious”, as confirmed by the launch of their latest video “Parlano d’amor”, … Continue reading →

“Fumaretto is in a coma. Since 2010 Borgofuturo has been (also) home to visionary musicians, healthy bearers of a specific point of view on reality, strategic companions in a historical … Continue reading →

Mivergogno (“Imashamed”) is Daniele Gatto who writes and sings his own songs, but he is a little ashamed. During the years spent playing the strong drums on the stages, Mivergogno … Continue reading →

Cosmopolitan, traveler, free thinker, Roberto Torregiani is an artist intimately linked to Ripe San Ginesio. The exhibition, a tribute to his artistic career, presents a selection of works chosen in … Continue reading →

A space dedicated to children, built and animated by Les Friches, who have been investigating the urban space since 2011, promoting spontaneous play, participatory planning and self-construction with the involvement … Continue reading →

Borgofuturo festival could not relaunch and experiment at every edition, if there was not also a distinctive skeleton underneath. Guixot de 8 are certainly part of this skeleton. Artistically born … Continue reading →

Discodel + Herbartem = let’s drive together to Borgo Futuro. In the trunk: officinal concoctions, botanical mp3s, romantic dances and hydro-alcoholic vibrations. Tastings for the soul!

Children can come and stop by at the workshop as long as they want Painting, drawing, collage and assembly. For children from 3 years old onwards. From a magic phone, … Continue reading →

Kazim is an independent Turkish filmmaker. His film “Emel Anne” takes us to Istanbul during Gezi’s protests in 2013. The documentary tells the story of the mother of the boy … Continue reading →

Roberto Calamita will build a bridge between Ripe Ginesio and Bahia Blanca through the story of Cora Pioli, daughter of a ‘desaparecida’ family of emigrants from Ripe in 1976. In … Continue reading →